Professor Ann Norton recently returned from Australia where she gave a lecture titled “Following the Sun-God: A Motif and Its Survival,” The 9th International Convention of Asian Scholars, Adelaide, Australia,
Art under attack. ISIS wasn't the first group to destroy ancient art. Hear Dr. Joan Branham of the Providence College Art and Art History Department discuss the destruction of antiquities throughout history. She also discusses how ISIS's videos depicting this destruction serve a clear purpose – as propaganda tools in sync with the group’s monotheistic ideology.
Rhode Island Monthly Magazine, May 2015: "Senate Policy Office Director Marie Ganim credits research by Professors Deborah Johnson of Providence College and Frances J. Leazes Jr. of Rhode Island College on the economic impact of the arts in helping to pass the $35 million Creative and Cultural Economy bond referendum, to support improvements at arts facilities and historic sites
Professor Johnson was also recently quoted in a Newsweek article "Could the U.S. Currency Get a Feminist Facelift?" giving her opinion on this topic. read more.
Professor Paul Crenshaw
tells The Boston Globe that thieves who stole works of art from the Boston Public Library probably "knew what they were looking for. read more
Professor Johnson was assisted in the original study by Patricia Krupinski'16 art history major
, and it was published as: "Should States Invest in the Arts as a Tool for Economic Growth?," The College and University Research Collaborative, May 2015.
Professor Joan Branham participated in the Moskow Workshop on May 10-12, 2015 at Brown University.
Professor Deborah Johnson has been selected to chair a panel at the CAA, National Conference in Washington, DC Feb. 3-6, 2016. The panel she will chair is titled "Material Culture and Third-Wave Feminism".
While the emergence of a third wave of feminist theorizing in the early 1990s—and recent declarations of its end—is a still-contested phenomenon, there is little question that the emphases of millennial feminists have shifted. In recent feminist production, issues of individual subjectivities, ethical nonuniversality, mainstream political agenda, and sex positivity, among others, have taken on unprecedented prominence. How has third wave impacted the production and perception of material culture? For example, the popular-culture icon Beyoncé has declared herself a “modern-day feminist” while presenting work seen by many as uncritically exploitational. Not dissimilarly, the reception of Jeff Koons’s work Made in Heaven has transitioned dramatically from its appearance at the Venice Biennale in 1990 to its 2014 appearance at the Whitney Museum dependent largely upon determinations of the
sexual agency of Koons’s subject, Ilona Staller. Papers addressing theoretical issues as they relate to material culture and third-wave feminism as well as monographic analyses of specific artists are equally welcomed.